Spektar Design Lab comes with a few examples.

Witched Tube Amp

File: projects/examples/tuneamp/

An awesome, noiseless and noise-busting guitar tube amplifier modeller.

Witched image

Phlanger

File: projects/examples/flanger/

A nice filtered flanger effect, ideal for guitars.

Phlanger image

Spacer

File: projects/examples/spacer/

Massive reverberation and delay.

Spacer image

EQ6

File: projects/examples/eq6/

Six band equiliser.

eq6 image

Decadent

File: projects/examples/Decadent/

Non-constant delay, with decaying delay time.

Decadent image

Phaser

File: projects/examples/phaser/

A phaser effect with wide operating range exposed via controls.

Phaser image

Corrosion

File: projects/examples/Corrosion/

A flexible distortion with a noise gate, two boost stages and a filter bank.

Corrosion image

Tremolove

File: projects/examples/Tremolove/

Classic guitar tremolo effect, with an added function to control trem frequency based on input signal energy.

Tremolove image

ReverbZero

File: projects/examples/RevebZero/

Flexible reverb with room size and filter.

ReverbZero image

Chorus

File: projects/examples/Chorus/

Modern multi-phase chorus that goes an extra mile.

Chorus image

Examples from previous versions

Reverb

File: projects/examples-v1/reverb.xml

A great example of an audio effect, reverb implementation design is available in examples/reverb.xml. This is a slightly modified implementation of Schroeder reverb with some practical I/O setup.

Reverb example

Notable practical additions are wet and dry bench controls, output filters, and modulation in comb and all-pass filters which substantially increases percieved reverb quality.

Reference: M. R. Schroeder and B. F. Logan, ``Colorless artificial reverberation,’’ Journal of the Audio Engineering Society, vol. 9, pp. 192-197, July 1961.

Monophonic Synthesizer

File: examples/synth.xml

As an example of sound synthesis, we have a simplest, single oscillator, monophonic synthesizer.

Synth example

Though simple, this synth can make some cool sounds. Setting the oscillator to SQU (square wave) and triggering in low octaves makes some great growling bass stereo sounds. In mid/higher octaves, SIN setting can make some nice flute-like sounds.

As an example, this synth doesn’t include bench controls other than the keyboard.

Now proceed to the concepts.